Search: Starring Robert Pattinson

This feels leaden, not just due to its length, but in the attempt to be heavy, to be worthy.

This is a fantastic chance to see some of the industry's greatest talents at the top of their game.

After all, what’s so sinister about reading Aesop’s Fables? Everything and nothing, Corbet suggests.

While Pattinson is to be commended for taking on such an un-commercial vehicle - to which he definitely does no disservice - it all seems a bit too calculated, more posturing than penetrating.

The Zellner brothers...enter into a fascinating structural dialogue with the history of the genre.

Ramsay's style takes no prisoners.

The Safdies invest their own knowledge of their home turf to give it all a frenetic and authentic sense of urgency.

For the first time in what has become known as The H P Experience, you feel genuine emotion.

Drifts dangerously close to irrelevance.

Javier Beltrán is the real standout, delivering a performance that could easily have slipped into sentimentality with heartbreaking precision.

The trouble with all this mood, is that it eventually gets laid on too thick.

Hunnam gives a compelling performance as a man railing against the bigotry of his time, and yet simultaneously embodying it as a white explorer in a place already well-known to its inhabitants.

Moore gives a frank and funny portrayal of female status at a certain age in the Dream Factory.

Bong loses the thread in numerous half-baked sub-plots whose inflation takes its toll on the bloated runtime.

This retelling is the one you seek.

Only the gun speaks

Whether you ultimately like the end result or not, you'll definitely feel something, even if it's only the booming bass of Richard King's sound design and Ludwig Göransson's score rattling your seat at key moments.

This movie is ridiculous.

As far as teen fantasy movies go, Eclipse is pretty good.

If you're an emotional teenage girl, take a tissue. If you're not, take a cushion, for this is a film that lasts about three days. And a sickbag.

The film’s an unashamedly full-on exercise in manipulating your emotions, giving you an event every five minutes and keeping Kleenex in business.

Rylance is superb throughout in a role perfectly suited to his talents.

Whilst it’s never intrusive, the film makes room for the personal and, perhaps more importantly, for Herzog to meander, interlinking diverse ideas in his inimitable way.